Summary: An audacious, darkly glittering novel set in the eerie days of civilization’s collapse, Station Eleven tells the spellbinding story of a Hollywood star, his would-be savior, and a nomadic group of actors roaming the scattered outposts of the Great Lakes region, risking everything for art and humanity.
One snowy night Arthur Leander, a famous actor, has a heart attack onstage during a production of King Lear. Jeevan Chaudhary, a paparazzo-turned-EMT, is in the audience and leaps to his aid. A child actress named Kirsten Raymonde watches in horror as Jeevan performs CPR, pumping Arthur’s chest as the curtain drops, but Arthur is dead. That same night, as Jeevan walks home from the theater, a terrible flu begins to spread. Hospitals are flooded and Jeevan and his brother barricade themselves inside an apartment, watching out the window as cars clog the highways, gunshots ring out, and life disintegrates around them.
Fifteen years later, Kirsten is an actress with the Traveling Symphony. Together, this small troupe moves between the settlements of an altered world, performing Shakespeare and music for scattered communities of survivors. Written on their caravan, and tattooed on Kirsten’s arm is a line from Star Trek: “Because survival is insufficient.” But when they arrive in St. Deborah by the Water, they encounter a violent prophet who digs graves for anyone who dares to leave.
Spanning decades, moving back and forth in time, and vividly depicting life before and after the pandemic, this suspenseful, elegiac novel is rife with beauty. As Arthur falls in and out of love, as Jeevan watches the newscasters say their final good-byes, and as Kirsten finds herself caught in the crosshairs of the prophet, we see the strange twists of fate that connect them all. A novel of art, memory, and ambition, Station Eleven tells a story about the relationships that sustain us, the ephemeral nature of fame, and the beauty of the world as we know it. -- Random House Audio
I am going to preface my review of STATION ELEVEN by Emily St. John Mandel by saying that I love the author! She is positively adorable and she's also an extremely gifted storyteller. With STATION ELEVEN, her fourth novel, she is finally getting the recognition I believe she deserves. This book has been getting rave reviews... from almost everyone.
STATION ELEVEN begins a few days before the "end of the world as we know it." Arthur Leander is starring in a stage production of King Lear when he suffers a heart attack. Jeeven Chaudhary, an EMT who was once a member of the paparazzi, rushes on stage to perform CPR to no avail. Meanwhile, eight year old Kirsten Raymonde watches as the larger-than-life actor dies. Later that evening, Jeevan discovers that a massive flu outbreak is occurring around the world that is killing almost everyone within hours. He bunkers down with his brother and watches as the world begins to come to its end.
Fast forward fifteen years and Kirsten has managed to survive the flu. She is now an actress with the Traveling Symphony, a group of performers who travel around what remains of the country and perform Shakespeare and songs. They arrive in the small community of St. Deborah by the Water and fall upon a truly bad guy who calls himself "the Prophet." Their survival is challenged by this violent man's beliefs and it's apparent that there will be a final conflict which will determine their fate.
STATION ELEVEN is a fascinating story about survival and human nature as a whole. I found the entire novel to be intriguing, albeit quite scary; and I was very impressed with how Ms. Mandel wove together all of the various characters and stories. The novel weaves back and forth between the pre-flu world and the post-flu world, and it is both suspenseful and touching. Truly, she managed to accomplish quite a bit with this novel.
If I'm being entirely honest, there were parts of this novel that made me uncomfortable. Ms. Mandel's description of the flu outbreak and the panic that ensued scared the crap out of me. And then, the remnants of our country were even more terrifying. I'm not sure I would have wanted to survive! Maybe it's because I was listening to the story rather than reading it, but I was extremely disconcerted by what the survivors had to face and what they had to do to survive. I was also saddened by their memories... and lack thereof!
What I enjoyed the most about STATION ELEVEN, besides the wonderful writing, was how much it made me think. This book covered quite a lot about society and human behavior, showing both the good and the bad; and it definitely made me think about how we live our lives today. One of the best things I can ever say about any novel is that it made me think even after I finished reading it. STATION ELEVEN certainly did just that!
The audio book of STATION ELEVEN was read by Kirsten Potter, and I thought she did a terrific job. She had the right tone for the severity of the situation, and she also did quite a few accents that sounded pretty good to me. Check out this excerpt from the audiobook:
STATION ELEVEN would make an excellent book club pick. In fact, a few members of my group are reading it now. There is a reading guide with sixteen (yes sixteen!) questions. Because the novel covers so much ground and so many interesting situations, there is a great deal to discuss. Some of the themes you might want to explore include loss, grief, survival, love, friendship, trust, sacrifice, and memories. In addition, some of the "smarter" book clubs might want to compare/contrast some Shakespearean themes with what happens in this novel.
If you are looking for a smart, yet unusual story, about survival and basic humankind, then I highly suggest reading STATION ELEVEN.
Thanks to the publisher for providing a review copy of this audio book.
I think I'm the last person in the world to read this book. It sounds like it got under your skin.
ReplyDeleteI loved this book precisely because it seemed like it could really happen -- and that made it so scary.
ReplyDeleteI've loved all of Emily Mandel's writing, and this was no exception for me - but, yes, so scary because it's plausible!
ReplyDeleteYou mentioned those without any memories of how the world was before the flu (those too young to remember the time) ... that's the saddest of all :(